It is never too soon to introduce young children to music.

In this practical handbook for all parents of young children, Julie Wylie first shows how to introduce unborn and newborn babies to music as part of their environment, then explains how to set up a musical playgroup where young children will derive tremendous pleasure from a range of stimulating new experiences. She integrates music with play, exploration, learning and socialisation, and makes it fun for parents and caregivers to take part too.

The book also shows how to use commonplace objects and everyday sounds as resources, and how to make simple, inexpensive musical instruments.

Detailed anecdotes and case histories illustrate how all children, from all ethnic groups and regardless of their abilities or disabilities have benefited from having music as a regular part of their environment.

Even if you can't sing or play an instrument yourself, this book will show you how to make music an important and pleasurable part of your children's development.

BRIEF BIOGRAPHY OF JULIE

CONTENTS

FOREWORD

BOOK REVIEW

Julie Wylie lives in New Zealand and is perhaps best known for her educational music resources Sing Upon a Rainbow (a tape/book set), Sing Baby Dance Baby and Swing Me a Song (audio cassettes), and her book Music and the Small Child. She is musical advisor to the children's television programme Chatterbox, is particularly experienced in running musical playgroups for young children, and has been an early childhood music resource advisor for the Ministry of Education. Julie also works as a music educator for children with special needs at the Christchurch Early Intervention Trust.

CONTENTS

1.

The music in your child

11

 

The unborn child

11

 

The newborn child

12

 

Twelve to eighteen months

19

 

Eighteen months to three years

21

 

Three to five years

24

2.

Musical parenting groups

25

 

How to setup a group

25

 

The music session

29

 

Singing

30

 

Listening

31

 

Movement

34

 

Creativity

37

 

A typical session for two-year-olds

38

 

Behaviour

39

3.

Resources for music-making

41

 

Singing

41

 

Musical instruments

44

 

Making your own instruments

48

4.

Activities for musical parenting groups

53

 

Found sounds

53

 

Music and movement

58

 

Dramatic play

64

 

Creating songs

70

 

Creating instrumental pieces

72

 

Painting to music

73

 

Creative activities for young children

75

 

The music of different cultures

76

5.

Planning musical parenting sessions

79

 

Principles

79

 

The first session

81

 

What to do next

81

6.

'Make your own music and go for it'

83

 

'He shall have music wherever he goes'

83

 

Rediscovering the child within

84

 

Sharing the gift of music

86

 

A precious heritage

88

 

The therapeutic power of music

89

 

Talofa lava!

90

 

May they always have music

90

Appendices

 

1. General and musical growth of the small child

92

 

2. Songs, chants and games

95

 

3. Music suitable for listening and moving to

108

 

4. Baby games, action songs, nursery rhymes and finger-plays

109

 

5. The elements of music

112

 

6. The tonic sol-fa system

113

 

Further resources

114

 

Index

119

FOREWORD

This book is a product of love and enthusiasm - love for the small child, and enthusiasm for the power of music to add a significant dimension to the richness of living.

At the biennial conference of the New Zealand Society for Music Education held in Dunedin in 1991 with the overall title 'Music is a Family Affair', one of the papers, given by Helen Willberg, concluded with an agreement that early childhood support music groups (to be known as musical parenting groups) should be set up in each region of New Zealand under the auspices of local societies for music education.

The seed sown in Dunedin fell on particularly fertile ground in Christchurch. Julie Wylie, who was already working in the field of music for small children, soon gathered around her a group of parents who were also convinced of the value of music, not merely as a pleasant diversion for children, but as an integral part of their health and development. Before long the need for a more formal organisation was recognised. The Society for Music Education (Canterbury) offered encouragement and financial support for setting up the Canterbury Musical Parenting Association.

When I suggested to Julie she write a book, her extraordinary enthusiasm was unleashed, and her knowledge, ideas and experience of musical parenting were soon translated into words.

Music, Learning and Your Child is a book for parents and caregivers, and for the devoted leaders of musical parenting groups. While it is consistent with the aims and objectives of Music Education: early childhood to form seven, the 1989 syllabus for New Zealand schools, this book is primarily concerned with those all-important years before children take their first musical steps in the formal education system - from as early as twenty-four weeks in the womb.

A number of excellent publications are available on music education in early childhood, but most are aimed at helping trained teachers of pre-school and junior school classes. Music, Learning and Your Child is perhaps unique in that it is a comprehensive, informative and practical handbook for those most important of early childhood teachers - parents and caregivers.

Learning in early childhood is quicker and of more lasting effect than at any other time of life. The very small child has an infinite appetite to learn and a huge capacity to absorb experiences. Through music, we learn to organise our lives through positive experience; and through musical parenting, parents and caregivers learn to interact with their children and to share in the growing process in a way that no other activity can offer so richly.

Masaru Ibuka, founder of the Sony Corporation, said, 'Kindergarten is too late.' While we may not fully agree with so categorical a statement, there is no doubt that birth is not too early to begin the important process of shaping young lives, and that music offers one of the most positive means of doing this.

David Sell
Former Dean of the Faculty of Music and Fine Arts (retired)
University of Canterbury


Book Review from "Little Treasures" June/July '96 page 42

Julie Wylie, musical adviser for Chatterbox and a Christchurch music educator, has a similar passion for music which "can be found everywhere in our lives, but we need to learn how to listen consciously in order to hear it."

Her new book Music, Learning and Your Child (Canterbury University Press, $24.95) teaches us how to do just that. How many sad adults there are of my generation who as children were cruelly cut off from direct participation in music because "they couldn't sing in tune!"

This very well designed book takes the line that there is music in every child, regardless of abilities or disabilities, from the 24th week of gestation. Music in every parent too, no matter how unconfident or discouraged as children - Julie's practical advice covers learning with your child to "make music and go for it", the setting up of musical play groups, and suitable songs, finger plays and games. Particular music to my ears is her emphasis on listening skills which begin with voices, the sounds of nature and grow through music to an acute awareness of language, rhyme, rhythm, melody and words.


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